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So Lanny worked hard and learned all he could during these precious weeks while his mother was away on the yacht of the gentleman who had invented Bluebird Soap and introduced it into several million American kitchens. Lanny would steal into a room where a group of boys and girls were practicing; nobody objected if a graceful and slender lad fell in and tried the steps. If he had ideas of his own he would go off into a corner and work them out, and nobody would pay any attention, unless he was doing it unusually well. There was dancing all over the place, in bedrooms and through corridors and out on the grounds; everybody was so wrapped up in his work that there would have been no special excitement if Queen Titania and her court had appeared, marking with their fairy feet the swift measures of the Midsummer-Night's Dream overture.

V

Lanny Budd had made two special friendships that summer. Kurt Meissner came from Silesia, where his father was comptroller-general of a great estate, a responsible and honorable post. Kurt was the youngest of four sons, so he did not have to become a government official or an officer in the army; his wish to conduct and possibly to compose music was respected, and he was learning in the thorough German way all the instruments which he would have to use. He was a year older than Lanny and half a head taller; he had straw-colored hair clipped close, wore pince-nez, and was serious in disposition and formal in manners. If a lady so much as walked by he rose from his chair, and if she smiled he would click his heels and bow from the waist. What he liked about the Dalcroze system was that it ivas a system; something you could analyze and understand thoroughly. Kurt would always obey the rules, and be troubled by Lanny's free and easy American way of changing anything if he thought he could make it better.

The English boy had a complicated name, Eric Vivian Pomeroy-Nielson; but people had made it easy by changing it to Rick. He was going to be a baronet some day, and said it was deuced uncomfortable, being a sort of halfway stage between a gentleman and a member of the nobility. It was Rick's idea of manners never to take anything seriously, or rather never to admit that he did; he dressed casually, made jokes, spoke of "ridin' " and "shootin'," forgot to finish many of his sentences, and had chosen "putrid" as his favorite adjective. He had dark hair with a tendency to curl, which he explained by the remark: "I suppose a Jew left his visiting card on my family." But with all his pose, you would make a mistake about Eric Pomeroy-Nielson if you did not realize that he was learning everything he could about his chosen profession of theater: music, dancing, poetry, acting, elocution, stage decoration, painting - even that art, which he said was his father's claim to greatness, of getting introduced to rich persons and wangling their cash for the support of "little theaters."

Each of these boys had a contribution to make to the others. Kurt knew German music, from Bach to Mahler. Lanny knew a little of everything, from old sarabands to "Alexander's Ragtime Band," a recent "hit" from overseas. As for Rick, he had been to some newfangled arts-and-crafts school and learned a repertoire of old English folk songs and dances. When he sang and the others danced the songs of Purcell, with so many trills and turns, and sometimes a score of notes to a syllable, it became just what the song proclaimed - "sweet Flora's holiday."

All three of these lads had been brought up in contact with older persons and were mature beyond their years. To Americans they would have seemed like little old men. All three were the product of ripe cultures, which took art seriously, using it to replace other forms of adventure. All were planning art careers; their parents were rich enough - not so rich as to be "putrid," but so that they could choose their own activities. All three looked forward to a future in which art would go on expanding like some miraculous flower. New "sensations" would be rumored, and crowds of eager and curious folk would rush from Paris to Munich to Vienna, from Prague to Berlin to London - just as now they had come flocking to the tall white temple on the bright meadow, to learn how children could be taught efficiency of mind and body and prepared for that society of cultivated and gracious aesthetes in which they were expecting to pass their days.

On a wide plain just below Hellerau was an exercise ground of the German army. Here almost every day large bodies of men marched and wheeled, ran and fell down and got up again. Horses galloped, guns and caissons rumbled and were swung about, unlim-bered, and pointed at an imaginary foe. The sounds of all this floated up to the tall white temple, and when the wind was right, the dust came also. But the dancers and musicians paid little attention to it. Men had marched and drilled upon the soil of Europe ever since history began; but now there had been forty-two years of peace, and only the old people remembered war. So much progress had been made in science and in international relations that few men could contemplate the possibility of wholesale bloodshed in Europe. The art lovers were not among those few.

VI

When the summer season at the school was over, Lanny went to join his mother. He had tears in his eyes when he left Hellerau; such a lovely place, the only church in which he had ever worshiped. He told himself that he would never forget it; he promised his teachers to come back, and in the end to become a teacher himself. He promised Rick to see him in England, because his mother went there every "season," and if he tried hard he could persuade her to take him along.

As for Kurt, he was traveling with Lanny to the French Riviera; for the German lad had an aunt who lived there, and he had suggested paying her a visit of a couple of weeks before his school began. He had said nothing to her about an American boy who lived near by, for it was possible that his stiff and formal relative would not approve of such a friend. There were many stratifications among the upper classes of Europe, and these furies had never yielded to the lure of Orpheus and his lute.

Kurt was like an older brother to Lanny, taking charge of the travel arrangements and the tickets, and showing off his country to the visitor. They had to change trains at Leipzig, and had supper in a sidewalk cafe, ordering cabbage soup and finding that the vegetable had been inhabited before it was cooked. "Better a worm in the cabbage than no meat," said Kurt, quoting the peasants of his country.

Lanny forgot his dismay when they heard a humming sound overhead and saw people looking up. There in the reddish light of the sinking sun was a giant silver fish, gliding slowly and majestically across the sky. A Zeppelin! It was an achievement dreamed of by man for thousands of years, and now at last brought to reality in an age of miracles. German ingenuity had done it, and Kurt talked about it proudly. That very year German airliners had begun speeding from one city to another, and soon they promised air traffic across all the seas. No end to the triumphs of invention, the spread of science and culture in the great capitals of Europe!

The boys settled themselves in the night express, and Lanny told his friend about "Beauty," whom they were to meet in Paris. "Her friends all call her that," said the boy, "and so do I. She was only nineteen when I was born." Kurt could add nineteen and thirteen and realize that Lanny's mother was still young.

"My father lives in America," the other continued; "but he comes to Europe several times every year. The name Budd doesn't mean much to a German, I suppose, but it's well known over there; it's somewhat like saying Krupp in Germany. Of course the munitions plants are much smaller in the States; but people say Colt, and Remington, and Winchester - and Budd."

Lanny made haste to add: "Don't think that my parents are so very rich. Robbie - that's my father - has half a dozen brothers and sisters, and he has uncles and aunts who have their own children. My mother divorced my father years ago, and Robbie now has a wife and three children in Connecticut, where the Budd plants are. So you see there are plenty to divide up with. My father has charge of the sales of Budd's on the Continent, and I've always thought I'd be his assistant. But now I think I've changed my mind - I like 'Dal-croze' so much."

VII

Beauty Budd did not come to the station; she seldom did things which involved boredom and strain. Lanny was such a bright boy, he knew quite well how to have his bags carried to a taxi, and what to tip, and the name of their regular hotel. His mother would be waiting in their suite, and it would be better that way, because she would be fresh and cool and lovely. It was her business to be that, for him as for all the world.

Kind nature had assigned that role to her. She had everything: hair which flowed in waves of twenty-two-carat gold; soft, delicate skin, regular white teeth, lovely features - not what is called a doll-baby face, but one full of gaiety and kindness. She was small and delicate, in short, a delight to look at, and people turned to take their share of that delight wherever she went. It had been that way ever since she was a child, and of course she couldn't help knowing about it. But it wasn't vanity, rather a warm glow that suffused her, a happiness in being able to make others happy - and a pity for women who didn't have the blessed gift which made life so easy.

Beauty took all possible care of her natural endowment; she made a philosophy of this, and would explain it if you were interested. "I've had my share of griefs. I wept, and discovered that I wept alone - and I don't happen to be of a solitary nature. I laugh, and have plenty of company." That was the argument. Wasn't a beautiful woman as much worth taking care of as a flower or a jewel? Why not dress her elegantly, put her in a charming setting, and make her an art-work in a world of art lovers?

Her name was an art-work also. She had been born Blackless, and christened Mabel, and neither name had pleased her. Lanny's father had given her two new ones, and all her friends had agreed that they suited her. Now she even signed her checks "Beauty Budd," and if she signed too many she did not worry, because making people happy must be worth what it cost.

Now Lanny's mother was blooming after a long sea trip among the fiords, having kept her complexion carefully veiled from the sun which refused to set. Her only worry was that she had gained several pounds and had to take them off by painful self-denial. She adored her lovely boy, and here he came hurrying into the room; they ran to each other like children, and hugged and kissed. Beauty held him off and gazed at him. "Oh, Lanny, how big you've grown!" she exclaimed; and then hugged him again.

The German boy stood waiting. Lanny introduced him, and she greeted him warmly, reading in his eyes astonishment and adoration - the thing she was used to from men, whether they were fourteen or five times that. They would stand awe-stricken, forget their manners, become her slaves forever - and that was the best thing that could happen to them. It gave them something to look up to and worship; it kept them from turning into beasts and barbarians, as they were so strongly inclined to do. Beauty had put on for this occasion a blue Chinese silk morning robe with large golden pheasants on it, very gorgeous; she had guessed what it might do to Lanny's new friend, and saw that it was doing it. She was charming to him, and if he adored her he would be nice to her son, and everybody would be that much happier.

"Tell me about Hellerau," she said; and of course they did, or Lanny did, because the German boy was still tongue-tied. Beauty had had a piano put in the drawing room, and she ran to it. "What do you want?" she asked, and Lanny said: "Anything," making it easy for her, because really she didn't know so very many pieces. She began to play a Chopin polonaise, and the two boys danced, and she was enraptured, and made them proud of themselves. Kurt, who had never before heard of a mother who was also a child, revised his ideas of Americans in one short morning. Such free, such easygoing, such delightful people!

The boys bathed and dressed and went downstairs for lunch. Beauty ordered fruit juice and a cucumber salad. "I begin to grow plump on nothing," she said. "It's the tragedy of my life. I didn't dare to drink a glass of milk at a saeter."

"What is a saeter?" asked Lanny.

"It's a pasture high up on the mountainside. We would go ashore in the launch and drive up to them; the very old farmhouses are made of logs, and have holes in the roof instead of chimneys. They have many little storehouses, the roofs covered with turf, and you see flower gardens growing on top of them. One even had a small tree."

"I saw that once in Silesia," said Kurt. "The roots bind the roof tighter. But the branches have to be cut away every year."

"We had the grandest time on the yacht," continued Beauty. "Did Lanny ever tell you about old Mr. Hackabury? He comes from the town of Reubens, Indiana, and he makes Bluebird Soap, millions of cakes every day, or every week, or whatever it is - I'm no good at figures. He carries little sample cakes in his pocket and gives them to everybody. The peasants were grateful; they are a clean people."

The boys told her about the Orpheus festival, and Bernard Shaw and Granville Barker and Stanislavsky. "It's quite the loveliest place I've ever been to," declared Lanny. "I think I want to become a teacher of Dalcroze.”

Beauty didn't laugh, as other mothers might have done. "Of course, dear," she answered. "Whatever you want; but Robbie may be disappointed." Kurt had never heard of parents being addressed by such names as Beauty and Robbie; he assumed it was an American custom, and it seemed to work well, though of course it would never do for Silesia.

They were having their pastry; and Beauty said: "You might like to stay over for an extra day. I'd like to have a chance to see more of Kurt, but I've accepted an invitation to spend a fortnight in England, and then go to Scotland for the shooting." Lanny was disappointed, but it didn't occur to him to show it, because he was used to seeing his mother in snatches like this; he understood that she had obligations to her many friends and couldn't be expected to stay and entertain one boy, or even two.

Kurt, also, was disappointed, having thought he was going to feast his eyes on this work of art, created in far-off America and perfected in France. He made up for lost time, and was so adoring, and at the same time respectful and punctilious, that Beauty decided he was an exceptionally fine lad and was glad that dear Lanny had such good judgment in the choice of friends. Lanny had written who> Kurt's parents were, and also of the aunt in Cannes, the Frau Doktor Hofrat von und zu Nebenaltenberg. Beauty didn't know her, but felt sure that anybody with such a name must be socially acceptable.

VIII

In the afternoon they went to an exhibition of modern art. "Everybody" was talking about the Salon des Indиpendants, and therefore Beauty had to be able to say that she had seen it. She had a quick step and a quick eye, and so was able to inspect the year's work of a thousand or more artists in fifteen or twenty minutes. After that she had a dress fitting; the business of being an art-work oneself didn't leave very much time for the art-works of others. Lanny's mother, flitting through life like a butterfly over a flower bed, was so charming and so gay that few would ever note how little honey she gathered.